To me, a great still tells a story, makes you wonder:

Who is this character?

What are they fighting for?

Who left a C-stand in the shot?

Hello!

For the past decade, I’ve shared my time between film sets and photoshoots. From PA to Producer, from photographing weddings to products, images are my language to tell stories.

Whether it’s for a wedding or a film set, I look for those emotions, the frame that captures my subject’s journey. Being by nature sociable and discreet, I know how to preserve the dynamic of a set while identifying the key images that I need and the best way to get them.

I also worked in production for about 8 years on a variety of projects (factual TV, shorts, a feature, advertising, educational…). This diversity of experiences gave me a global understanding of the making of a film as well as great set etiquette. As a film stills photographer, I see my work as a creative solution to marketing a film: capturing the essence of a scene, the tension created by the filmmakers to find its audience. I created and produced a WWII short drama called Dog Tags that you can see hereunder.

CREDITS

What they say

To improve my skills and fully specialise as a Unit Still Photographer, I undertook the Film Stills Academy - Film Still Fast Track course by Nicola Dove (James Bond - No Time To Die, Murder On The Orient Express, Artemis Fowl…).